A metaphor for the institution’s commitment to make science comprehensible and accessible to all, the luminous form of the expansion is contrasted with the opacity and solidity of the original building.
Though art and science are often portrayed as divergent, mechanisms of perception are integral to both. Architecture is a tool to shape the public’s relationship to the Hall of Science, maximizing access to the exhibitions within.
The power of this dynamic ensemble derives from the juxtaposition of forms and materials. Articulated as a series of folded planes wrapped with translucent fiberglass panels, the Hall of Light expansion is a horizontal counterpoint to the undulating vertical form of Harrison & Abramovitz’s 1964 World’s Fair pavilion.
The expansion, which adds significant gallery space, transforms the institution’s identity and visitor experience by redefining and expanding the exhibit sequence and optimizing circulation. A transparent base at the north allows glimpses into the Hall’s interior, emphasizing the accessibility of the Museum. Discovery Labs, adjacent and open to the new exhibition spaces on the upper and lower gallery, are given visible identity and ambiguous thresholds to draw visitors.
The luminous new addition provides an anchor and backdrop for a newly landscaped precinct that is home to the renovated Rocket Park and accommodates outdoor programming, paying homage to the public heritage of the World’s Fair site. At night, the new addition becomes a subtly glowing lantern in the park.
The meticulous restoration of the iconic cellular concrete frame infilled with dark cobalt-colored, cast-glass was completed in 2015.
Great Hall Upgrades and Terrace Improvements
Two Permanent Exhibit Halls, Hall For Traveling Exhibits, Science Classrooms, Teacher Training and Resource Center, Lobby Improvements, Reception Lobby for Groups, Administrative Offices, Meeting Room, Percent for Art Program, Existing Building Mechanical and Electrical System Improvements
John Allee, Ray Brown, Andrew Comfort, Eric Fauerbach, Jun Fujita, Karl Hirschmann, James Ke, Sally Leung, Megan Miller, Alex O'Briant, Edgar Papazian, Michael Regan, William Rosebro, James Sinks, Brian Slocum, Michael Stoddard, David Wallance
Merit Award, AIA/New York State
BE Award of Excellence from Bentley Systems
Cultural Project of the Year, The Construction Management Association
First Prize for Public Building, Queens Chamber of Commerce
Award for Excellence in Design, The Art Commission of the City of New York